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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist that is looking to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is the ideal combination of smart-aleck maturity and youthful innocence. Articulating the large words slowly and carefully with just a hint of childishness, Woodman endearingly conveys the voice of an child who is attempting desperately to sound as an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety to the imaginative and captivating plot, nevertheless they don't translate as seamlessly into audio format. Ferrone's wistful growl is perfect for your voice of your man who is actually able to don't speak, consider the listener actually gets to listen for the words that this character can only convey by writing on a notepad, his frustrating silence is not as profound. Caruso's brilliant performance as a possible adoring grandmother can be noteworthy, but the meandering stream-of-consciousness style of her and Ferrone's sections are occasionally hard to follow on audio. Although it is Oskar's poignant, laugh-out-loud narration which make this audio production indispensable.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Adult/High School-Oskar Schell just isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. Younger crowd collects random photographs for his scrapbook and sends letters to scientists. When his father dies inside World Trade Center collapse, Oskar shifts his boundless energy with a quest for answers. He finds an important hidden in his father's stuff that doesn't fit any lock in their Ny City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to speak with everyone in The big apple City using the last name of Black. A retired journalist who keeps a card catalog with entries for anyone he's ever met is merely one of the colorful characters the boy meets. Such as Things Are Illuminated (Houghton, 2002), Foer requires a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further while using inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works being a deceptive, glitzy cover for a fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the The second world war bombing of Dresden. Even though this story is nearly as evocative as Oskar's, it does carry forward and connect firmly for the rest of the novel. The two stories finally intersect in a very powerful conclusion that will make even essentially the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
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