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In this excellent recording of Foer's second novel, Woodman artfully captures the voice of nine-year-old Oskar Schell, the precocious amateur physicist that is attempting to uncover clues about his father's death on September 11. Oskar—a self-proclaimed pacifist, tambourine player and Steven Hawking fanatic—is the right blend of smart-aleck maturity and youthful innocence. Articulating the massive words slowly and thoroughly with just a hint of childishness, Woodman endearingly conveys the voice of the young child who is wanting desperately to sound as an adult. The parallel story lines, beautifully narrated by Ferrone and Caruso, add variety for the imaginative and captivating plot, nevertheless they do not translate quite as seamlessly into audio format. Ferrone's wistful growl is perfect for that voice of the man who can don't speak, consider the listener actually gets to hear the language the character are only able to convey by writing on the notepad, his frustrating silence is not as profound. Caruso's brilliant performance as an adoring grandmother is also noteworthy, but the meandering stream-of-consciousness style of her and Ferrone's sections are occasionally hard to follow on audio. Although it's Oskar's poignant, laugh-out-loud narration that will make this audio production indispensable.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Adult/High School-Oskar Schell just isn't your average nine-year-old. A budding inventor, he spends his time imagining wonderful creations. Actually is well liked collects random photographs for his scrapbook and sends letters to scientists. When his father dies in the World Trade Center collapse, Oskar shifts his boundless energy to your pursuit of answers. He finds an integral hidden in the father's issues that doesn't fit any lock in their Ny City apartment; its container is labeled "Black." Using flawless kid logic, Oskar sets out to communicate with everyone in Ny City with all the surname of Black. A retired journalist who keeps a card catalog with entries for all he's ever met is simply one of the colorful characters the boy meets. As with Things Are Illuminated (Houghton, 2002), Foer needs a dark subject and works in offbeat humor with puns and wordplay. But Extremely Loud pushes further while using inclusion of photographs, illustrations, and mild experiments in typography reminiscent of Kurt Vonnegut's Breakfast of Champions (Dell, 1973). The humor works being a deceptive, glitzy cover for any fairly serious tale about loss and recovery. For balance, Foer includes the subplot of Oskar's grandfather, who survived the Wwii bombing of Dresden. Even though this story is less than as evocative as Oskar's, it can carry forward and connect firmly to the rest from the novel. The two stories finally intersect in a very powerful conclusion that can make even probably the most jaded hearts fall.-Matthew L. Moffett, Northern Virginia Community College, Annandale
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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